VAR - checking for possible red card
COMIC COVERS OF THE WEEK
"Rational romantic mystic cynical idealist"
COMIC COVERS OF THE WEEK
Prime newie "Ghost War" is missing only three things: believability, logic and a single original idea. I gotta get my eyeballs on a French or Korean movie soon, 'cos I honestly don't enjoy shooting these barrel fish. Miller acts circles around the others, even if the defining characteristic of her MI6 operative is that she smokes (at least they make a joke about that towards the end). The music isn't bad. The ol' rogue-element-within-our-ranks plotline is just so lazy and boring; a waste of time. Do some effing research and come up with a topical scenario! Or is it a case of the makers being scared to offend any particular country for fear of losing viewers? Then they should use a fictional analogue like DC Comics does - Bialya, Markovia, etc. - while sticking to themes which are relatable.
When it comes to espionage tales, I am not so discerning. Which was just as well in the case of "The Copenhagen Test". It began silly - the protagonist is a spy whose brain has been hacked - and continued being silly for eight episodes, adding or changing *anything* just to provide frequent twists. Simu Liu's mindfucked agent, Alexander Hale, was likeable enough, as was Melissa Barrera's mysterious Michelle (apart from when she wasn't). I didn't care for the rest of the charas. Or the worldbuilding. I didn't care for the flashbacks. I certainly didn't care for the weak, illusion-of-progress ending. Furthermore, the series had zero of note to say about real intelligence organisations or geopolitics. I'm surprised the reviews I've seen weren't harsher. Gods help us if actual spy agencies waste resources like the clowns depicted in "T/C/T" do monitoring/attempting to control one unlucky dude.
Apparently this 1982 biopic was a box-office flop. Unless it tried to directly take on "E.T.", it didn't deserve to be. Strong Australian cast, well scripted (satisfying arc), well filmed, impressive period trappings, infectious musical score... On top of all that, it offers a theory on the death of the diminutive gangster, about which the precise details remain unclear to this day. Atkins utterly inhabits the title role, putting his real-life dance skills to good use, and it's wild seeing local acting royalty Weaver play a ditzy "moll" (she nails it). Bisley makes an evil baddie, too. While I generally shy away from media that glorifies criminals, ST's rise to power was so unlikely and his boldness so outrageous - whether addressing a crime boss, copper, reporter or judge - and the film gives such a feel for the time/place, I'd rate this flick as watch-worthy for any Aussies interested in the darker side of our history.
A lot of my schooling was rote learning, and a lot of the assignments my classmates and I submitted were little more than pages of text copied by hand - verbatim - from reference works, punctuated with the occasional lame drawing or photocopied image. I'll never forget a fellow student hiding a cheeky message in the middle of such an assignment, asking the teacher to make a mark to show he was still reading. When it was graded and returned to her, there was no mark. In an even cheekier move, she called him on it. His excuse: "I didn't want to mess up that page by writing in the middle of the text." None of us bought that for a second.