Octagon-side at UFC 127 in seven words
Deafening, cramped, stuffy, police state, UNBELIEVABLY GOOD!
"Rational romantic mystic cynical idealist"
The most surprising thing about Armageddon Expo 2011 wasn't what they charged for ice tea - a Dick Turpin-esque $5 per bottle - it was which special guests generated the longest queues. Forget the umpteen telly and fillum actors in attendance; there seemed to be a constant line to meet the folks from Rooster Teeth (they of the "Halo"-derived machinima "Red Vs Blue"). I dunno, those videos were funny in the beginning...
You knew that sooner or later I'd have the "M:TG - Mirrodin Besieged" pre-cons slug it out like a pair of rum-fuelled drunks in a pub carpark at closing. In keeping with the adversarial theme of the expansion, there are two decks representing the Mirran faction (the R/W "Battle Cries" and the U/R "Mirromancy") and two flying the flag for the Phyrexian invaders (the B/U "Doom Inevitable" and the G/W "Path Of Blight"). For this reason, I only played "enemy" decks against each other; the four combinations in best-of-five matches. R/W blitzed B/U 4-1, with its blend of weenies, burn and the new Battle Cry mechanic proving way too speedy. Then G/W narrowly edged U/R 3-2; Mighty Leap a surprise MVP for the Phyrexian side in its bid to sneak through for 10 poison. The tables were rotated 180^ when G/W met R/W and lost 2-3, as Viridian Claw and Whispersilk Silk cloak starred. Finally, B/U crushed U/R 4-1, pumping out -1/-1 counters and utilising its Living Weapons. Tally those results and you'll find the matches and games are dead even. As a tie-breaker, I cherry-picked the allied decks, plus the cards from the booster packs included with them, to build super-decks (R/W for Mirran, B/G for the Phyrexians). There's a ton of card advantage in "Besieged" and in a more constructed format like this, Infect is so solid. While the decider ended B/G 3 - R/W 2, it could easily have been 5-0 were it not for God Of Gamblers-quality hands and clutch draws on the Mirran side. Still, the stand-off was over. Consider Mirrodin envenomed :-)
When I'm hung-over or genuinely ill, my favourite remedy is to lie Hutt-like on the lounge and watch The History Channel. Among the amazing factoids I learnt today - besides the revelations that the "peaceful" Minoans secretly practised human sacrifice and the Mayans worshipped "time gods" (there's a "Who" yarn there, surely) - is that the Picts, a people who occupied the north of Scotland from the 1st Century AD to the 10th, left behind no record of their language other than place names and a series of recurring symbols (carved into cave walls, etc.) that have so far defied deciphering. Centuries of mystery! Mind = blown.
Have you read Hilary Mantel's "Wolf Hall"?
"There was point in the story of 'Tomb Of Dracula'...that Dracula took over a deconsecrated church and there was a painting of Christ on the wall. And virtually every line of dialogue I wrote where Dracula is actually saying he's powerless against Christ, the Comics Code would object to. And I'm Jewish, first of all, and the head of the Comics Code was Jewish. So there were these two Jewish guys arguing about whether it would be offensive to Christians to say that Christ was more powerful than a vampire" – Marv Wolfman on "Ink: Alter Ego Exposed"
As TV that costs money goes, Strikeforce: Fedor Vs Silva was short: five bouts, four of them opening-round muggings, padded out with hype to two hours (effectively half the length of a UFC PPV). Then again, it was the start of the promotion's World Grand Prix Heavyweight Tournament, so it's understandable that they only wanted to showcase the big boys. And the one fight that wasn't done in the first was almost worth the $29.95 unlock fee on its own. That would be Fedor "The Last Emperor" Emelianenko versus Antonio "Bigfoot" Silva.
"If someone reads books, they can't be all bad" - author Sue Townsend sums up her most famous creation, Adrian Mole. I hope she's right.
Have decided that whenever I donate books to charity, I'm gonna put fake dedications in the front of 'em. Craftily, I'll be varying the writing style and type of pen I use, plus the positioning, to keep it real(ish). Here are the first three:
The heatwave continues unabated, as merciless as Ming, causing the inhabitants of this 'burb to behave oddly. Latterly, I have witnessed... The same flustered woman being rude to then apologising to staff at the post office and the supermarket. A guy tinkling the ivories of an old upright piano on the footpath (presumably, it was there for collection). And a second dude, realising it wasn't getting any less stinking hot, cutting his lawn in a rush at about 8pm. If he'd waited until it was properly dark and worn a miner's helmet with lamp, this posting would've been 7000% more interesting.
I've mentioned my World Vision sponsorship before and do so again here not 'cos I want a bloody medal (or a chest to pin it on), but because WV China had their kid write in a card that they sent me for the Year Of The Rabbit, which begins today. Unfortunately, the message was in Chinese. Fortunately, a translation had been provided. I want to quote youse the part describing how New Year's is celebrated in the People's Republic: "We prepare lots of delicious foods such as pork and chicken. We light firecrackers, wear new clothes our parents buy for us. These may seem very simple but give us great happiness!" There's something about that last line that fills my materialistic heart with shame. It's the slight defensiveness that no child should have to feel about their way of life - let alone in relation to a joyous occasion. Nevertheless, I remain a compulsive smart-arse, which is why I've opted for a flippant title rather than, say, "Reality check".
The Architects Of Air are a group of UK-based artists who hand-make inflatable plastic sculptures large enough to house tens of viewers at a time. These creations delight the eye with both their geometric oddity and the way natural light plays on and through their variously coloured panels. One such sculpture, Mirazozo (which sounds like it should be hanging out with Azazel and Pazuzu), was recently parked on the cobbles in the forecourt of the Sydney Opera House. CM, AM and I took advantage of the midweek Australia Day holiday to investigate it, and saved ourselves a 45-minute swelter in the queue by pre-booking. To protect the floor layer, we had to stow our shoes in pigeonholes at the entrance/exit (which also served to track how many were in the belly of the beast). We were then given 20 minutes to wander the chambers, take photos, recline in the alcoves or lie beneath the domed ceilings and dream kaleidoscopic daydreams. While I couldn’t resist identifying where air hoses weren't working or little tears were forming in the material, these minor imperfections detracted not a jot from the overall aesthetic experience. It was like...well, whatever you thought it was like – alien spaceship, womb, octopus's garden, living artwork, Wonka factory, LSD trip, beautiful balloon, comedy dinosaur stomach, vision of the afterlife or just a mighty fine tourist attraction.